Sarah Pineda

Hi! My name is Sarah Pineda and I’m an audience engagement journalist focused on connecting communities with impactful journalism across digital platforms. With a background in social media strategy, content creation and analytics, I specialize in expanding reach, building trust and amplifying underrepresented voices. My work centers on creating meaningful relationships between newsrooms and the audiences they aim to serve through innovative, engagement-driven storytelling.

Currently, I serve as a Social Media Editor at The Washington Post, where I collaborate with reporters, editors, video editors and internal stakeholders to produce service-oriented content. My previous roles at Prism Reports, KQED and LAist-KPCC have centered on developing platform strategies, producing engagement-driven content and leading initiatives that prioritize inclusive storytelling and community connection.

I’m a first-generation, ‘No Sabo kid’ from Los Angeles, California, and in my free time I enjoy a good book, traveling with my friends and family and volunteering in the kids’s ministry at my church.

portfolio

 

social and social video content


This Ask A Doctor Reel I championed was The Washington Post’s most-shared Instagram post of 2024.

I produced The Washington Post’s most-liked Instagram post with 2M likes and drove 3k comments, 835k shares, 143k saves and 26k new followers.


In 2024, I experimented with new strategies to engage both new and existing followers across The Washington Post’s Instagram account. One example of this is when I worked with popular Gaza journalist Plestia Alaqad, who boasts 4.2 million followers, in a collab post that became our second most-liked Instagram post of 2024. I saw this as an opportunity to tap into her audience and direct them to our account, where they could continue to receive additional updates on the Israel-Gaza War through our coverage. The post reached 2.8 million accounts (80% of whom were nonfollowers), gained 1,800 new followers and became the second-largest referral source for the story.


As part of my ongoing effort to highlight Latino and Hispanic stories on The Washington Post’s Instagram, I collaborated with Video, Graphics and other stakeholders across the newsroom on social deliverables for a project about reggaeton. For our Reel, I coordinated with the PR teams of the featured artists, encouraging them to share it, which I believe contributed to the video reaching 1.2 million accounts and gaining 2,000 new followers. Since the video was predominantly in Spanish and many comments were also in Spanish, I’m confident that my work promoting this project played a key role in growing The Post’s social Latino/Hispanic audience.

I was responsible for packaging the second most click-through post of 2024 on The Washington Post’s Instagram account with 15,000 link clicks.

Shortly after Instagram Reels launched in 2020, I created a short-form video series for KQED Arts & Culture, adapting the Rebel Girls: Bay Area Women’s History column for both Instagram and TikTok.

I worked with popular Bay Area creator Maddy Clifford (@madlines) to create original social videos for KQED by adapting our web and audio journalism into short-form video to reach new audiences using her popularity on TikTok.

I led a #GetOutTheVote video campaign by commissioning artists to use their mediums to encourage civic engagement through social videos on @kqedarts.

At the beginning of 2021, I was scrolling through KQED Arts’ social feeds listening and reading how discouraged and unmotivated the art community felt during the pandemic. I wanted to help uplift the community, so I commissioned artists to create artwork for our Instagram page around a central theme of reimagining what the future could look like post-pandemic. Read my web post on the project here.

audience and community engagement projects


Donald Trump winning the election in 2024 marked the second time he defeated a woman running for president. Wanting to understand how women voters felt about this, another audience journalist and I took the lead on seeking how to have women readers share their feelings with The Washington Post. Using my knowledge on Instagram, I created and shared the callout, which garnered over 5,000 submissions — making this the most successful callout in the newsroom’s history so far. Originally intended for an Instagram carousel, we ended up publishing a story that led the homepage, received 138,000 pageviews, drew 119 conversions (better than over 75% of other stories in Elections), held an average engaged time of 2 minutes and 40 seconds (compared to 53 seconds for similar stories) and generated more than 4,000 comments. Read the story here.

In 2023, I experimented with Instagram callouts that I produced into original content for The Washington Post’s Instagram. My first callout, asking how important language is to being Latino and Hispanic, gathered over 630 responses, making it the second most popular callout of the year.

Six months into the COVID-19 pandemic, I partnered with the KQED Arts & Culture’ editorial team to launch an online callout asking our artist community to share with us how the pandemic was affecting them and their creative practice. An Arts editor wrote a piece including some of the artists’ stories.

A year later, I wanted to check-in with these same artists to hear what’s changed for them. Our editorial team followed up with a few artists to create this roundup post. The average time spent on the web post was 3 minutes and 44 seconds, showing how I successfully created off-platform-driven content informed by our readers.


After analyzing the success of book content on Prismreports.org, I pitched an engagement-driven story asking readers to share their favorite Black artist or writer for Black History Month. Responses from both our audience and staff, contributed to this roundup piece.

For National Poetry Month, I was approached by the producers of KQED’s radio show Forum, to create a callout asking local, emerging poets to submit their original poems to play on air. I received over 100 submissions. Read the roundup here.


During my time at LAist-KPCC I had the opportunity to work on a community engagement strategy around our Black infant mortality coverage. In order to bring the reporting to people who needed it the most, I bundled and mailed 6,000 informational postcards to residents in predominantly Black neighborhoods in Southern California with high rates of infant mortality. I also helped build a database of community partners and assist two panel events with fellow experts in the field for Black mothers. Read about the project here.

Read about the community engagement work I did in my first year at KPCC here.

Read about some of the engagement projects I helped at Los Angele’s NPR-member

newsroom LAist-KPCC. I share some details of the projects, the workflow and how I helped

play a critical part in the newsroom’s sustainability.